Sketching the chair from different view helped me gain strength on drawing with scale and proportion. I had to keep in mind that the chair drawn should be in the right proportions as the way it appears with the actual object. By doing this sketch, I learned how to look at items in different view with different prospects, and generate ideas from different directions. Designers have to be able to think three dimensionally and sketches like this can help establish this skill.
This freehand drawing is done with black ink pen and napkin media, I have never drawn on something this soft. By drawing this I have to keep in mind that I should not press so hard on the napkin. Keeping a constant pressure on the napkin is really important for this sketch. Also coloring on the napkin feels completely different from when I color on paper. The color merges and spreads with the napkin strands as soon as the pen is pressed on the napkin, so I had to draw softly and move the pen faster. By drawing on napkin inspired me that a design can be created in a way that it has not been done before, we can use materials and media that have never been used before. Creating something new with new ideas is always desired.
This is a corner of my living room sketched with graphite drawing pencils. With this sketch, line texture techniques are used showing the nature of the wall, ceiling and floor. Shade and shadow are significantly used to show the value of the room. It is important to consider three dimensional structure and angel of view when drawing a landscape like this. With Interior Design, it is important to be able to see objects in three dimension, and how one obstruct the other. Consideration of how objects overlay on each other, generating the view to the audience that the walls are perpendicular to each other, the floor and ceiling are parallel to each other are necessary for the sketch.
This is more like a contour sketch which is traced from a picture we have taken before. This sketch gains skill on paying attention of the overall flow of the image itself, but not into small details. This is very important for design such that for every design, we would want to start from the big picture, then going into details. Working backwards will be really time consuming and will end up losing the main focus of the design too.
This is sketching a door handle on a piece of black paper. This enabled us to gain skills on how the colors match with black, since we usually tend to draw on a piece of white paper. Color appears differently on black paper, and joining different colors with black is quite important, and making sure the colors will appear will need to draw several times and each layer of color. Though the black will still see through all these colors.
This is sketching a section of the room. The sketch on top has lighter and fewer line weights, while the one at the bottom appears to be darker with heavier line weights. This sketch is to help us gain the knowledge and hands on experience of creating value using lines. Thinner and fewer lines will create a lighter reflection of the image, where as heavier and more lines will give a darker color on to the image. This sketch has a window wall where light can come through and reflect on the object drawn, shading and making the objects light will reflect the direction of light. The first sketch shows value of the space with lines, where as the second one shows the value change in space using high contrast method. This sketch also help to gain skills on drawing consistently, the 2 sketches should be similar to each other in terms of structure and objects.
This is a sketch help us to build up skills and techniques in using cross
lines to represent shade and light differently. More and heavier use of lines
at the shade and lighter pencil marks at the less dark region is a great skill
than can help build the effect of light hitting on the object. Where the light
hits the object is the lightest when comes to drawing, and darkens are light
starts to fade. This technique greatly helps the overall view of the sketch,
there is a point where it is the lightest out of the entire picture. And along with
this focal point, light starts to fade of and objects start getting darker.
This is a sketch from an original image of a chair from the magazine by
shading the space. We start by looking at the shape of the chair based on its
negative space, which is the space around the chair. By looking at various negative
space of the chair, we select one to start with in the drawing. Begin the
sketch by planning the space the negative space would occupy on the paper, and
make sure the to give enough space for the chair. The negative spaces vary in
lightness, which the light hits the object will have a lighter reflection on
the drawing. It is important to consider the shadow and light, where on the
floor where a shadow is casting should be darker and some area of the sketch is
lighter. Start the drawing with very light lines of the basic negative space shape,
making sure both negative space and chair fit in the paper. This sketch helped
us to gain skill and understanding of how important negative space is in a
sketch. It can build up space within a sketch.
This is a overall sketch reflection, representing the feeling and thought
as we went through these sketching processes. This reflection is important in
terms of conclusion and give us a overall understanding what is the purpose of
all the sketches. And it also make us to review what are the types of technique
applied to these drawing. Each sketch involves different types of technique
application and understanding of the readings we have been doing. Drawing the
sketches also helped us to gain greater strength in understanding and applying
of the lecture material as well as reading materials.
(Note: Sorry I could not find my sketch 6)
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